It's A Mad World World World World
In 1989-1991, four writer-performers, Tim Firth, Tim De Jongh (aka Tim Scott), Mike Smith (aka Michael Rutger after his favourite film star)) and William Vandyck recorded two radio series for BBC Radio 4, called “And Now In Colour”. A TV pilot was shot under the same name, consisting of a central story (mainly scripted by Firth), with sketches by the group. This pilot was produced in 1991 by David Tyler and directed by Simon Spencer.
Although it wasn’t taken up by the BBC, the group showed enough promise for another (transmittable) pilot to be commissioned, written by the same team, and retaining the performances of Tim De Jongh and William Vandyck, but augmented by Alistair McGowan, Flip Webster and a newcomer to the comedy scene, from Manchester, Caroline Aherne.
Shot partly on location and partly in the studio, the show again featured a central story - a hostage stake-out that turns farcical - with intermittent sketches. Highlights included a ponderous Late Show-style Arts feature on a poet who writes those dreadful verses in birthday cards, and a Temptation Of Christ sketch where the Devil offers Jesus the chance to pop the foil on a new jar of Nescafe. There was also a True-Lives style psychodrama enacted entirely by Subbuteo men, and a James Bond title sequence as if sung by Richard Stilgoe as a clever acrostic-
“Oh, “J” is for the jungle into which he’s dropped at first...
“A” is for the alligator near whom he’s immersed...”
etc etc
Alas, although well-received by the critics, the pilot was never taken up, and the team split up; William Vandyck reappeared as the host of King Stupid, Tim Firth is now an established playwright and film writer - (“Neville’s Island”, “The Flint Street Nativity”, “All Quiet On The Preston Front”, “Calendar Girls”), Michael Smith metamorphosed into best-selling horror write Michael Marshall Smith and Alistair McGowan and Caroline Aherne were, of course, never heard of again, except by everybody in the world.
The title, by the way, is possibly one of the most awkward ever devised, being a rather introspective play on the 60’s US film farce It’s A Mad Mad Mad Mad World”. But it’s better than the other nearly candidate, “Half A Sixp”.